Our story, from the stage

Why I built Mobrool.

I’m Ian. I play in Bootlegger’s Turn, and I wanted our band to stand out—not just as another name on a list, but as a different kind of live experience. Mobrool started with that ambition: give audiences, venues and event organisers something distinctive to remember us by.

Read the story
Audience members stand in front of a large screen showing live song-vote results.
Bootlegger’s TurnOur music. Our personality. A show of our own.
Song votes Polls and messages Band stays in control Tools for between shows
01 / The beginningBuilt for our own band.

I wanted our band to stand out.

There are plenty of good bands out there. I wanted us to have something distinctive to show the people choosing a band for their venue or event—a reason to consider us beyond the songs we play.

The aim was to be considered for higher-profile bookings, not necessarily higher-paid ones. Different stages, events and opportunities mattered more than simply chasing a bigger fee.

Audience interaction became the way to explore that idea. Song choices, polls, messages and screens could give people a part in the night, while our music and personality stayed at the centre. The goal wasn’t another tool for bands. It was a way to make our show our own.

And it’s working…

Shows run
41
Audience votes
9,110
Messages received
2,411

From Bootlegger’s Turn’s overview, shared . These are our band’s figures, not live platform-wide totals. Votes and messages count interactions, not individual people.

Bootlegger’s Turn dashboard overview: 41 shows run, 9,110 audience votes, 2,411 messages received and 58 songs in the library.
A stage set with drums, lighting and a large screen displaying audience song choices.
Drums, lighting and the audience display share the stage setup.
A singer performing into a microphone under colored stage lights.
A singer performs beneath colored stage lights.
On stage

Our show, with room for the audience.

Audience participation should add to the show, not run it. We decide which options to put up and when to invite people in. The band stays in control. Another band might use the same tools very differently—that’s the point.

In the real world

Shaped by real gigs.

I use Mobrool with Bootlegger’s Turn and keep refining it from actual live use and band feedback. What matters is whether an idea works in the room, not just whether it looks good on a screen.

Be ready for the enquiry

Standing out is one part. Handling the enquiry is another.

If someone gets in touch, whoever is dealing with the booking needs the information to hand: band-member availability, conflicts, dep contacts and the event details. I wanted less chasing around the band and more confidence in the reply.

That’s where the shared diary and bookings fit in. The semi-automated booking system brings enquiries, repertoire sharing, quotes and confirmations together, with optional Gmail and Google Calendar connections. Keep the location and printable setlists to hand when it’s time for the gig.

Those tools are useful in their own right, even before you run an interactive show. Less time chasing details, more time making your band’s next gig a great one.

When the audience takes over

Our own teaser video.

Made for our band, Bootlegger’s Turn, this teaser shows the interactive live experience we’ve built with Mobrool. It’s our approach, not a format other bands have to copy.

Visit Bootlegger’s Turn’s website
Loads YouTube only when selected. Press play in the player to watch.Watch on YouTube
Ever improving, gig by gig

Now I’m opening it up to other bands.

I built Mobrool to help our band offer something different. Now I want other bands to take the tools, bring their own ideas and create shows that feel like theirs. Explore what fits your band and share the feedback that helps me keep improving it.

Join Mobrool